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Jedi-Qui-Gon

"May the Force be with you."
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The Curse of Run-On Dialogue

The Curse of Run-On Dialogue AKA; Narration Run Amok ----- Original Message ----- [What should I do] about splitting [dialogue] paragraphs that are [all] by the same character? I usually do it for emphasis or to show that there's a brief pause between them. Like when a character suddenly changes his/her topic. -- My Characters Won't Shut Up! -- Paragraphing IS supposed to be divided by character; their actions + their dialogue. However, sooner or later one will run across: Run-On Dialogue. Run-On Dialogue is when one character talks, and talks, and talks...for whole paragraphs --or pages-- at a time. Oddly enough, this problem isn't all that common, but it can happen to new writers who still haven't quite figured out how to break up their dialogue with actions and descriptions. Far more common is the creation of whole paragraphs of Internal Dialogue and Introspection, especially when one writes in First Person POV, or Third Person Close POV. This is known as

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5790 deviations

The Curse of Run-On Dialogue

The Curse of Run-On Dialogue AKA; Narration Run Amok ----- Original Message ----- [What should I do] about splitting [dialogue] paragraphs that are [all] by the same character? I usually do it for emphasis or to show that there's a brief pause between them. Like when a character suddenly changes his/her topic. -- My Characters Won't Shut Up! -- Paragraphing IS supposed to be divided by character; their actions + their dialogue. However, sooner or later one will run across: Run-On Dialogue. Run-On Dialogue is when one character talks, and talks, and talks...for whole paragraphs --or pages-- at a time. Oddly enough, this problem isn't all that common, but it can happen to new writers who still haven't quite figured out how to break up their dialogue with actions and descriptions. Far more common is the creation of whole paragraphs of Internal Dialogue and Introspection, especially when one writes in First Person POV, or Third Person Close POV. This is known as

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The Descent of High CHarity

The Descent of High Charity          As the Elites left though the portal to fight Truth, Lord Hood returned to the last remaining orbital defence station to re-organize the remaining UNSC forces against the incoming flood army, and with only a section of the planet that was actually attacked, the rest of the garrisoned forces where mostly un-touched, and could be relocated to swell the defences of the portal to number unseen since Reach, but the flood are uncaring for the humans, and the portal itself does have defences against the flood… 128th Armoured Division, European detachment, En-r

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I love professional words :D

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Fanfic Content Ratings Guide

Made because people keep misusing fanfiction ratings (K-Rating not included because just like the G-rating, it's now pointless if your target audience is older than 10). K+ Equivalent to: PG or a liberal G This means... Swearing: You can say cuss word substitutes like butt and heck as much as you want, and are permitted to use a small amount of mild swears (e.g. "damn" and "hell"), too. Violence: About the same level of violence Disney movies use is the ideal here. Character death is a-okay, but showing it happen in detail should be avoided. Sex: Absolutely no sexual content allowed. You might be able to use double-entendres that only

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Writing Tips: Character, Plot, and Theme

There are three fundamentals to a well-written story:  Character, Plot, and Theme.  And they belong in that priority order. Character Character is all about how people feel.  It is about personalities and reactions, about thoughts and feelings, and it is absolutely the most important thing in a story.  You can have a boring plot with good characters, and you can have no deeper theme with good characters, but if you have bad characters, nothing will save your story.Describing Feelings Even though I just said that thoughts and feelings are the most important thing in your story, that doesn't mean you should come right out and say how your cha

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